Louis Armstrong was one of the most influential musicians in the last century. His cheerful and confident stage presence, creative improvisations and unique style of singing and trumpet playing attracted many people to jazz music. He was well-loved and was given the nickname Satchmo by his friends.
When he was young he fired a gun in the street. It probably was a dare from his friends. He was sentenced to live in a boy’s detention home for a while. During his time there he was recruited for their band. The band master, Captain Peter Davis, saw how much Louis wanted to learn music and taught him how to play the cornet (a brass instrument similar to the trumpet). Even though he was being punished, something very positive happened that changed his life and eventually had a global impact. When he grew up, Louis Armstrong was very popular and travelled the world performing music with his band.
A concerto is a set of musical pieces written for a solo instrument accompanied by an orchestra. Wolfgang Amadeus Mozart composed many piano concertos for himself to play. He was a brilliant pianist. His concertos usually begin with a fast movement (piece), are followed by a slower movement and end with an energetic one. Audiences do not clap in between the individual movements but rather wait until all the pieces have been played.
Murray Perahia not only plays the piano solo but also conducts the Chamber Orchestra of Europe in this performance. Often in concertos the ensemble stops playing and the soloist gets to improvise a cadenza. Be sure to listen to Mr. Perahia’s cadenza (12:29-14:04).
The Piano Guys filmed this video at the ice rink at Bryant Park in Manhattan, NYC. (I used to skate there!) “We Three Kings” is a traditional Christmas carol but they made it sound new by playing it in a Latin jazz style. Originally the carol is in 3/4 but their arrangement starts out in a different meter. When they get to the B section (1:02-1:26) the time signature changes. When a piece uses more than one time signature that is called “mixed meter”. They throw in a couple of improv sessions and invite skaters to free-style skate with them. So fun! 🙂
This month we are sharpening our observational skills to prepare for our upcoming workshop. Please use the updated feedback form. The more specific your comments the more helpful they will be. I hope you will be thoughtful and include encouraging messages as well as kind suggestions for improvements.
John Cage (1912-1992) loved to explore new sonorities (sounds) and compositional techniques. He composed several pieces for “prepared piano”. He would write very specific instructions for musicians, telling them to put items into the strings of their grand pianos. Sometimes he would give the performers choices about what order to play the different sections of his compositions. One of his most famous pieces is called 4’ 33”. He directs the pianist to sit at a piano for 4 minutes and 33 seconds in silence so the audience can hear music in all the natural sounds around them.
Sometimes it is difficult to fully appreciate 20th century music (music composed in the 1900s) with only one hearing. I personally need to listen to “new” music several times before I can decide how I feel about it. Please listen to Tim Ovens play John Cage’s “Sonata X” several times before completing your listening log worksheet.
The Écossaise is a type of partner dance that was popular in France and Great Britain in the late 1700s and early 1800s, when Beethoven was growing up. The écossaise was usually danced in 2/4 time in two lines, with men facing the women. As the dance continues, couples move to the head of the line. Écossaise dance music usually has dynamic contrasts and lively rhythms which make it exciting. Ludwig van Beethoven, Franz Schubert and Frédéric Chopin all composed écossaises.
Dr. Alan Huckleberry does an excellent job bringing out the individual character of all six of these écossaises composed by Beethoven (1770-1827). Watch the Jane Austen Society of France recreate this dance!